Patricia Guerrero – Catedral

The last show on the 2019 London Flamenco Festival. The show that won the Critic’s choice Award (Giraldillo) on the Bienal of Seville in 2016. Reason to go already. Plus I’ve never seen Patricia Guerrero before, so there I was in Sadler’s Wells on 14 July. To see the award winning show, but also to say farewell to the Flamenco Festival until 2020.

Without knowing what “Cathedral” was about, I found the concept interesting to bring flamenco in the Church. Flamenco & religion? Not something I have in my head closely related. So I was impressed to recognise the smell of incense in the theatre as the show started and nuns appeared on stage. The second surprise came from suddenly listening to voices of the Church: two gentlemen dressed in red as priests, singing chants. The atmosphere was created. How does flamenco come here?

Patricia describes Cathedral as reflection on freeing from religious and social barriers of life. The struggle of a woman with her demons, in a world of phantoms, light and shadow. The “moment to let go of the dogmas that sometimes make us forget who we are”.

Flamenco was her way of expressing this emotional battle, to show us her “insight on freedom”. I liked her dance in general, but I missed everybody else. There were 3 dancers, 2 percussionists, 1 flamenco singer, 2 tenors and 1 guitarist, yet, I had the feeling that it was only about the main dancer. Which is fine, of course, it’s her own show. On other shows though you get to see the musicians perform alone or have their little solos, the dancers normally have a few dances without the principal dancer. Not here. The dancers had one short dance without Patricia, this was probably the only time during the 90 minute performance that she had left the stage for a few minutes. Incredible strength to dance through the entire performance though.

Excellent musicians accompanying her;  I only recognised Agustín Diassera on percussion, and José Ángel Carmona singing.

It was not the most traditional show all in all, it was focused on a very specific topic in a very specific setting, but receiving huge applause from the audience.

 

The festival finished with Patricia Guerrero after two weeks of flamenco packed programme in Sadler’s Wells and the Lilian Baylis studio, and it will be greatly missed. The director of the festival Miguel Marín expressed his doubts in an interview about changing the date of the festival from February to July after 15 years. Well, Miguel, although I don’t know the sale numbers, the theatre seemed pretty full to me every single day, and I have to say, I loved going to see flamenco when it’s not cold and dark, but hot and light, just like it would be in Spain.

So see you all again next July on Rosebery Avenue!

Hasta la próxima!

Gala Flamenca – Mercedes Ruiz, Eduardo Guerrero, María Moreno

Spectacular.

The best word to describe the 2019 Gala Flamenca of the London Flamenco Festival.

Spectacular!

Funny I’ve never liked Galas, yet, I always go see them. Why? I’ll explain.

I have never liked the Gala, because it felt it was aimed at a public less familiar with flamenco, so it had to be rather entertaining flamenco, easy to enjoy, with the focus on dance, to introduce flamenco, not to immerse in it, more like a show than a concert. Accordingly, the public tends to be different: phones ring, messages beep, people come and go during the performance, the level of respect is different. Not to mention, the challenge of having so many artists together in one concert. Never easy, ending with all sorts of results… At the same time, being able to see various artists at once, is very attractive. So I have always gone and hoped for a song, a dance, an individual performance to make it worthwhile, because the acts of all participants together, have never really convinced me. Maybe because I have never seen a good Gala. Until now!

The Gala Flamenca with Mercedes Ruiz, Edu Guerrero, María Moreno and María Terremoto, with the artistic direction of Manuel Liñán was a blast!

My connection to Andalusia is through El Puerto de Santa María, which means that the flamenco close to my heart is from this area: Cádiz, Jerez, El Puerto… and this year, most artists were from these places!

Mercedes Ruiz has been around for a while, and has always been among the dancers I liked. Representing Jerez, dancing a seguriya with impressive skills on the castanets. Great choice of the flamenco palo, and nice dancing.

I was happy to see Eduardo Guerrero live for the first time. Edu is from Cádiz and has danced a caña with unbelievable footwork, which is still not my favourite part of flamenco dance, but it was a joy to watch his long arms, long legs, long hair.

My surprise was María Moreno (also from Cádiz) who I have not seen before either. She won the Revelation Artist Giraldillo Award on the Sevilla Bienal last year, so I already knew about her, but didn’t expect this at all. Epic alegrías! My conclusion: sometimes less movement is so much more. There is no need to overcomplicate the steps or footwork, silence and small movements can transmit so much emotion! I loved seeing her dance so beautifully with bata de cola (the long tail of the flamenco skirt) and the mantón (the big flamenco shawl). I don’t remember when was the last time I saw anyone dance with either bata de cola or mantón. It was refreshing and beautiful!

The dance of Edu and María, both dressed in red was one of the prettiest parts of the show!

I have already written a post about her, so I was thrilled to listen to the live singing of María Terremoto from Jerez. So young, and still, such power in her voice, such mature singing and so much emotion. I have listened so much flamenco singing, but she seems so different, truly exceptional I personally think. I am a big fan!

The singing of Ismael El Bola was also a great surprise, really enjoyed his voice and participation. Just like the guitar of Santiago Lara, always a pleasure to have his guitar!

I have only realised after this show that I didn’t really know what artistic direction was. Having seen this Gala with the artistic direction of Manuel Liñán, I can say that artistic direction is so powerful! Also happy to confirm that I am still and even more of a devoted fan of Manuel. He is not only an excellent dancer (and his “Irreversible” may be the greatest flamenco shows I have ever seen), but his contribution to this show has created a fascinating visual experience of these marvellous artists.

Congratulations all. I think I have just had the luck to see the best Flamenco Gala ever!

Dorantes, Ries, Ezra, Ruibal, Carmona – Flamenco meets Jazz

There is always an odd one out.  In your class, at work, in yoga, at the playground, or at the festival. Flamenco Festival London. It should all be about flamenco, but then there is the odd one out.

Flamenco? Not quite. Musically it’s rather jazz, with some flamenco bits here and there. Structurally? It’s similar to jazz with the solos of each musician. The musicians? Some jazz, some flamenco. The instruments? Piano, percussion, double bass, saxophone, dance.

What is this then?

This is when Flamenco meets jazz, the concert of David Peña Dorantes, Tim Ries, Adam Ben Ezra, Javi Ruibal and Jesús Carmona on the 2019 Flamenco Festival London on the 10th of July.

Utterly brilliant – my favourite English expression.

The concert was special to start with because these 4 musicians have not performed much together in the past, this may have been their 3rd or 4th concert together. They don’t practise together every other day at their homes, they reunited again for this concert. An American, an Israeli, and three Spanish. I always repeat the cliche “music has no borders”. Music has a language that reaches beyond borders, and instruments communicate to each other in a way, that I sometimes find difficult to understand, as someone who doesn’t play any instruments. I found instrumental music difficult to enjoy some years ago, but having lived with a lover of jazz for over 12 years, I very much enjoy it now.

The themes were mostly jazz, but also including some of Dorantes’ themes like Orobroy and the Caravana de los Zingali from his album Sur (South), which I happen to have and have listened to it so so many times. When I heard the first beats of the song, my tears started running.

The piano of Dorantes is always a pleasure to listen to, whatever he plays jazz or flamenco. There are some geniuses around in the world, and Dorantes may be one of the music ones.

Tim Ries has played the saxophone with the Rolling Stones for years, and is currently working on a series for HBO about gypsy music from the East of Hungary, being released in September. Do I need to add anything else?

Adam Ben Ezra has solo shows with his double bass, because as we could experience it on the concert, he is able to entertain an entire theatre by himself. His double bass, hands, feet and attitude is more than simple entertaining.

Javi Ruibal has been playing percussion, drum, cajón with Dorantes for many years, besides his concerts with his band Glazz and his father Javier Ruibal, and he has released his first solo album this year, Solo un mundo (Only one world). You notice right away how well Javi and Dorantes understand each other and how their instruments speak to each other. It’s just amazing.

And then there was the dancer, who has recently risen to super star category in flamenco, Jesús Carmona. He is not strictly a flamenco dancer, he has danced in the Spanish National Ballet Company for years, and also in dance companies of famous flamenco dancers, like Carmen Cortes or Antonio Canales. He danced 3 songs, but the choreographies seemed to suit so perfectly the rhythm and the mood, it totally captured me.

I also liked that Tim and Adam both involved the audience in their solos: Tim by making us sing and Adam by making us clap. Were we any good? I am not sure, but it felt like a great way to connect with the performing artists, and actually form part of their performance.

Jazz and flamenco met that night in Sadler’s Wells. Title well chosen. And even if you don’t know much of either, it was a good concert to go to, because there was good music. played. What else we want?

 

 

This is the final countdown… tirititiiii

The countdown has started…. there are 3 days left until the London Flamenco Festival!

From 2 -14 July the festival is on and I have so many tickets, I can hardly believe it!

London peeps, it’s still not too late to get your tickets!

Come and enjoy flamenco in the London summer!

Here is the program again:

Sadler’s Wells

2-7 July     Ballet Flamenco do Sara Baras: Sombras

8 July        Miguel Poveda: Recital de cante

9 July        Rocio Molina: Fallen from heaven

10 July      Dorantes, Tim Ries, Adam Ben Ezra, Javi Ruibal with guest artist Jesús Carmona: Flamenco meets jazz

11 July      Olga Pericet

12-13 July Gala Flamenca: Mercedes Ruíz, Eduardo Guerrero, María Moreno

14 July       Patricia Guerrero: Catedral

Lilian Baylis studio

6 July  Shubbak festival – Amir ELSaffar Ensemble: Luminiscencia

12 July David Carmona

12 July Kiki Morente

13 July Jesús Carmona

13 July Sergio de Lope

Note: our friend, Javi Ruibal will be playing on the festival with Dorantes on 10 July, and (!) he has recently released his first album “Solo un mundo”, available on www.losuyo.es. With each CD purchased, he plants a tree, so even more motivation to get it!

“The rock star of flamenco” visits London

I have seen him dance two or three times, and my first thought has always been: what is this? What is this guy doing? Madness. Art. Magic. A bit of each probably, but with flamenco present in each and every step and movement. He breathes flamenco through every tiny piece of his body, and it’s so intense, it’s inspiring.

Throughout his career, he has constantly been taking flamenco dancing to another level not only within flamenco, but also in the international dance scene. He has been working with the most traditional flamenco singers and guitarists, combining that side of the traditional flamenco with his innovations and inventions, carrying the flamenco roots deep within.

if you are in for a shock and amusement at the end of April in London, go and see the master of flamenco basics and innovation. The combination that won’t leave you indifferent.

Israel Galván

Sadler’s Wells

27/28 April 2019

Teaser videos and a short article is available on the Sadler’s Wells blog here.

 

London? July? Flamenco Festival!

After almost 20 years of the London Flamenco Festival organised in February, this year, for the very first time, the festival will be in July! Miguel Marín, the director, organiser and inventor of the festival has recently been to the radio program Nuestro Flamenco (Our Flamenco), and talked about the past, present and future of the festival.

In 2019, the Flamenco Festival celebrates its XIX. edition, and Miguel shared with the audience how the goals of the festival have changed and evolved throughout its almost 20-year-history, constantly adjusting to the changing musical taste and music world. It started with the initial idea of supporting the “inventors” in flamenco, like Israel Galván, and continued with aims like making the Carnegie Hall a permanent space for flamenco performances. Then they wanted to bring flamenco to the more underground theatres, trying to reach a new and different public; always having in the back of their minds to provide opportunity for the flamenco musicians to meet other musicians from around the world.

In 2018, 45,000 people attended the concerts of the festival, which says a lot about the dimensions the festival has grown into during these two decades. Miguel admitted that he has never dreamed of this, when he first started… He said it’s the merit of flamenco to bring all these people to the festival: “flamenco is able to move, touch and attract the public to the theatres, because even though many say that “flamenco sells itself”,  tickets are sold one by one every single time, depending on the country, the theatre and the public”. The presenter of the radio program, José María Velázquez Gaztelu pointed out, that it’s also the merit of Miguel and everyone in his team, who make the festival happen year after year, and I absolutely agree with that.

The festival has constantly grown and evolved, and I think they have now gotten to the next level in terms of size, program and reach. This year, besides the original Flamenco Festival shows, they have expanded the program in the United States (not in London, unfortunately) and brought the Flamenco Eñe Festival to the US. In the past, the idea has always been that abroad dance sells best, and the festivals outside of Spain have been dominated by dance shows. In 2019, from the Eñe festival’s 9 productions 8 will be musicians (not dancers). The festival’s inspiration is the sounds of flamenco: what does flamenco sound like? Artists like Israel Fernández and María Terremoto give an insight into traditional flamenco sounds. I could not agree more with Miguel that Israel and María, both representing the younger generation and traditional flamenco, are the perfect proof that traditional flamenco has a bright future ahead. Among the other artists, you’ll find Miguel Ángel Cortés guitarist, Chano Dominguez pianist, Antonio Rey guitarist, Sergio de Lope with his flamenco flute, and Diego Guerrero with his project of fusion with Cuban music. 24 different shows in New York, Miami and Chicago throughout the month of March.

Us, Londoners will have to wait till July for the original Flamenco Festival to arrive. Exciting change in the timing, no change in location though, as always the dance theatre, Sadlers Wells will host the festival.

The program is spectacular, already available on the Sadlers Wells website, together with the tickets. I already have mine, of course, and highly recommend to everyone to come and see the shows.

Program below.  See you in July in Sadlers Wells!

2-7 July     Ballet Flamenco do Sara Baras: Sombras

8 July        Miguel Poveda: Recital de cante

9 July        Rocio Molina: Fallen from heaven

10 July      Dorantes, Tim Ries, Adam Ben Ezra, Javi Ruibal with guest artist Jesús Carmona: Flamenco meets jazz 

Note: our friend, Javi Ruibal  has just released his first album “Solo un mundo” and it’s available on www.losuyo.es

11 July      Olga Pericet

12-13 July Gala Flamenca: Mercedes Ruíz, Eduardo Guerrero, María Moreno

14 July       Patricia Guerrero: Catedral

Lilian Baylis studio: 6 July  Shubbak festival – Amir ELSaffar Ensemble: Luminiscencia

 

 

 

Flamenco Festival London

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As we are approaching the end of October, I find myself checking the website of Sadler’s Wells every other day. Even though I am signed up to their newsletter, and I would receive an email when the new program is announced, I am too excited to lose even a few hours when the announcement is made.

This is the time of the year Sadler’s Wells, THE dance theatre of London, announces the line up for next year’s Flamenco Festival, and tickets go on sale. The festival always takes place in February*, over the course of a week, with the majority of the shows on the main stage of Sadler’s Wells, and some of the smallest shows in the Lilian Baylis studio, right next to Sadler’s Wells.

Since 2013 I have been to the festival every single year to see all of the shows I was interested in and could afford. The two are never the same…

But what is the Flamenco Festival?

The Flamenco Festival is the initiative of a gentleman called Miguel Marín, who realised -while studying in New York around 2000 – that there was a lack of flamenco in town, when there would actually be interest. I heard him tell the story in one of the radio interviews he gave, when presenting that year’s program and the destinations where they bring the festival. Throughout the years, this initiative has expanded, and the festival got to several locations, on different continents even.

The very first Flamenco Festival was in New York, then it came to London in 2003, which means that this year, in 2018, they celebrated the 15-year-anniversary of the festival in the British capital. Then Japan and Brazil was added to the destinations for a few years, but on the long run, the US and UK festivals continue only. They incorporated in the tour different cities within these countries though: Miami in the US and Manchester in the UK.

I found it interesting listening to Miguel talk about the beginnings of something so big and established now, when it was just an idea of a flamenco aficionado roughly 20 years ago. How he started planning to bring the artists from Spain, to create a program, to get funding, to organise and manage logistics, accommodation, venues, fees etc. With the overall and long term objective in mind to bring flamenco – represented by contemporary artists – to different parts of the world.

Funnily, I also looked into the options of bringing flamenco artists to London, when I quit my job in the city (and was in the process of re-inventing myself), but I found it extremely difficult and complex. My idea was to bring less known and established artists, within the frame of something much smaller and rather intimate, possibly combining the shows with dance and clapping courses, Spanish lessons…

Although I am a big fan of the Flamenco Festival, I do think that it is a platform for rather established artists, who can fill up an entire theatre with the ticket sales. The organisers must have their reasons behind this, which I am not here to argue. It was nice to see that this year they already had their own production too (I believe for the very first time) : Carmen Linares, Arcángel and María Heredia singing together (and individually) in the The Tempo of Light. This was specifically created for the Flamenco Festival, and was most certainly an interesting idea. I like all three artists individually, but this collaboration was not quite my cup of tea.

In the past 5 years, I have enjoyed many concerts of the festival and I am grateful to the festival for bringing all these people to the February cold of London*. I have enjoyed the concerts of so many people! I have seen dance Eva, La Yerbabuena, Mercedes Ruiz, Farruquito, Manuel Liñán, Rocío Molina, Israel Galván, Isabel Bayón, Patricia Guerrero, Belén Maya and last, but not least, La Chana! I was lucky to hear El Lebrijano sing the year he died, I heard sing Miguel Poveda, Arcángel, Antonio Reyes, Estrella Morente, Esperanza Fernandez and I heard play Tomatito and Gerardo Núñez. This is just the list of artists I have seen, the list of artists performing at the festival is so much longer! Just to mention some: Olga Pericet, Jesús Carmona, Vicente Amigo, Ana Morales, Leonor Leal, Alba Molina, Marco Flores, Sara Baras, Antonio Canales, Rafaela Carrasco, Rocío Márquez, Ángel Muñoz, the Ballet Flamenco de Andalucía and so on.

The 2019 program is not published yet. I wish I could already share the shows that I will go to (and at the same time, give a shout out to all available baby sitters for those nights), but for now, I can only encourage all Londoners, to keep an eye out for the new program and the tickets!

*Correction of this article – published on the 30th of October 2018 – is required. I found out on the 11th of November 2018 that the date of the Flamenco Festival in London has been moved to the month of July as of 2019. This means that the program won’t be published and the tickets won’t go on sale until the spring of the same year. Flamencos, a bit more patience… We will get through winter somehow, and then bring on the hot summer London nights packed with flamenco! Olé!