Dorantes, Ries, Ezra, Ruibal, Carmona – Flamenco meets Jazz

There is always an odd one out.  In your class, at work, in yoga, at the playground, or at the festival. Flamenco Festival London. It should all be about flamenco, but then there is the odd one out.

Flamenco? Not quite. Musically it’s rather jazz, with some flamenco bits here and there. Structurally? It’s similar to jazz with the solos of each musician. The musicians? Some jazz, some flamenco. The instruments? Piano, percussion, double bass, saxophone, dance.

What is this then?

This is when Flamenco meets jazz, the concert of David Peña Dorantes, Tim Ries, Adam Ben Ezra, Javi Ruibal and Jesús Carmona on the 2019 Flamenco Festival London on the 10th of July.

Utterly brilliant – my favourite English expression.

The concert was special to start with because these 4 musicians have not performed much together in the past, this may have been their 3rd or 4th concert together. They don’t practise together every other day at their homes, they reunited again for this concert. An American, an Israeli, and three Spanish. I always repeat the cliche “music has no borders”. Music has a language that reaches beyond borders, and instruments communicate to each other in a way, that I sometimes find difficult to understand, as someone who doesn’t play any instruments. I found instrumental music difficult to enjoy some years ago, but having lived with a lover of jazz for over 12 years, I very much enjoy it now.

The themes were mostly jazz, but also including some of Dorantes’ themes like Orobroy and the Caravana de los Zingali from his album Sur (South), which I happen to have and have listened to it so so many times. When I heard the first beats of the song, my tears started running.

The piano of Dorantes is always a pleasure to listen to, whatever he plays jazz or flamenco. There are some geniuses around in the world, and Dorantes may be one of the music ones.

Tim Ries has played the saxophone with the Rolling Stones for years, and is currently working on a series for HBO about gypsy music from the East of Hungary, being released in September. Do I need to add anything else?

Adam Ben Ezra has solo shows with his double bass, because as we could experience it on the concert, he is able to entertain an entire theatre by himself. His double bass, hands, feet and attitude is more than simple entertaining.

Javi Ruibal has been playing percussion, drum, cajón with Dorantes for many years, besides his concerts with his band Glazz and his father Javier Ruibal, and he has released his first solo album this year, Solo un mundo (Only one world). You notice right away how well Javi and Dorantes understand each other and how their instruments speak to each other. It’s just amazing.

And then there was the dancer, who has recently risen to super star category in flamenco, Jesús Carmona. He is not strictly a flamenco dancer, he has danced in the Spanish National Ballet Company for years, and also in dance companies of famous flamenco dancers, like Carmen Cortes or Antonio Canales. He danced 3 songs, but the choreographies seemed to suit so perfectly the rhythm and the mood, it totally captured me.

I also liked that Tim and Adam both involved the audience in their solos: Tim by making us sing and Adam by making us clap. Were we any good? I am not sure, but it felt like a great way to connect with the performing artists, and actually form part of their performance.

Jazz and flamenco met that night in Sadler’s Wells. Title well chosen. And even if you don’t know much of either, it was a good concert to go to, because there was good music. played. What else we want?

 

 

Miguel Poveda – Recital de flamenco

If you like flamenco, you’ll like Miguel Poveda, simply because of his love and affection for flamenco.

He started his concert in Sadler’s Wells on the 8th of July with a little teaser of his album “Enlorquecido” where he paid tribute to the poet Federico García Lorca with songs composed to his poems and letters. It was only 2-3 songs but it showed the passion of one man towards the art and life of another man, which is emotional and moving to see.

Then the real flamenco started! Alegrías, bulerías, tangos, a guajira, a petenera and a few other simple, but true, authentic flamenco songs. In a world where everyone searches for themselves and tries to express themselves via but not always strictly with flamenco only, it is appreciated to listen to the original stuff sometimes. Especially from someone who was born into a world that had nothing to do with flamenco, and still his love and passion for this art form, together with his talent in singing have made him one of the top flamenco singers of our time.

What makes Miguel Poveda even greater as an artist, are the musicians surrounding him, and the way he treats them on stage.

I was thrilled to see that I knew every one of the artists accompanying Miguel, but even if I didn’t, Miguel introduced everyone one by one. El Londro from Jerez singing and clapping; Carlos Grilo, master clapper from Jerez (oh lord that contra-beat he claps so perfectly on time and with so much passion in the bulería!); Jesús Guerrero a new talent in the guitar, not only accompanying but composing; Paquito Gonzalez on percussion and drums, who accompanied Paco de Lucía on his last album; and last but not least, El Choro dancing. I like the dancers who don’t only focus on footwork, but they dance. The dance with their arms, with their bodies, with their souls. Antonio Molina, El Choro is one of them.

One of the highlights of the concert was actually a bulería performed by the musicians without Miguel. So much emotion and energy. I could hear the people around me in the audience clapping the rhythm with the feet, moving their hands and heads, as we all enjoyed the song.

Miguel’s English has still room for improvement, but English and non-English speakers both enjoyed listening to him trying and entertaining us (including himself!) with his improvised words and phrases.

The tango to finish the concert was just brilliant. Miguel and co. made a great show, and it was the cherry on top when Miguel invited up to the stage Jesús Carmona, who was sitting in the audience, and he danced a bit at the end. The process of Choro taking off his shoes ON STAGE, Jesús taking off his white trainers ON STAGE, exchanging shoes ON STAGE, while Miguel sang and the musicians played, has just shown that improvisation is possible, it does happen, and it gives us a unique experience of a concert. Thank you all!

All in all, it was an excellent concert. There is only one thing I would mention to Miguel for next time. In today’s day and age where diversity and inclusion are such hot topics across areas of age, ethnicity, gender, disability, LGBT+ etc. Where were the women in the show? To be fair to Miguel, he has had La Lupi as dancer on his concerts for years, so this may be a one-off, still my eyes missed the ladies on stage. Hopefully next time.

Until then all the best Miguel, you are still a phenomenon!

London? July? Flamenco Festival!

After almost 20 years of the London Flamenco Festival organised in February, this year, for the very first time, the festival will be in July! Miguel Marín, the director, organiser and inventor of the festival has recently been to the radio program Nuestro Flamenco (Our Flamenco), and talked about the past, present and future of the festival.

In 2019, the Flamenco Festival celebrates its XIX. edition, and Miguel shared with the audience how the goals of the festival have changed and evolved throughout its almost 20-year-history, constantly adjusting to the changing musical taste and music world. It started with the initial idea of supporting the “inventors” in flamenco, like Israel Galván, and continued with aims like making the Carnegie Hall a permanent space for flamenco performances. Then they wanted to bring flamenco to the more underground theatres, trying to reach a new and different public; always having in the back of their minds to provide opportunity for the flamenco musicians to meet other musicians from around the world.

In 2018, 45,000 people attended the concerts of the festival, which says a lot about the dimensions the festival has grown into during these two decades. Miguel admitted that he has never dreamed of this, when he first started… He said it’s the merit of flamenco to bring all these people to the festival: “flamenco is able to move, touch and attract the public to the theatres, because even though many say that “flamenco sells itself”,  tickets are sold one by one every single time, depending on the country, the theatre and the public”. The presenter of the radio program, José María Velázquez Gaztelu pointed out, that it’s also the merit of Miguel and everyone in his team, who make the festival happen year after year, and I absolutely agree with that.

The festival has constantly grown and evolved, and I think they have now gotten to the next level in terms of size, program and reach. This year, besides the original Flamenco Festival shows, they have expanded the program in the United States (not in London, unfortunately) and brought the Flamenco Eñe Festival to the US. In the past, the idea has always been that abroad dance sells best, and the festivals outside of Spain have been dominated by dance shows. In 2019, from the Eñe festival’s 9 productions 8 will be musicians (not dancers). The festival’s inspiration is the sounds of flamenco: what does flamenco sound like? Artists like Israel Fernández and María Terremoto give an insight into traditional flamenco sounds. I could not agree more with Miguel that Israel and María, both representing the younger generation and traditional flamenco, are the perfect proof that traditional flamenco has a bright future ahead. Among the other artists, you’ll find Miguel Ángel Cortés guitarist, Chano Dominguez pianist, Antonio Rey guitarist, Sergio de Lope with his flamenco flute, and Diego Guerrero with his project of fusion with Cuban music. 24 different shows in New York, Miami and Chicago throughout the month of March.

Us, Londoners will have to wait till July for the original Flamenco Festival to arrive. Exciting change in the timing, no change in location though, as always the dance theatre, Sadlers Wells will host the festival.

The program is spectacular, already available on the Sadlers Wells website, together with the tickets. I already have mine, of course, and highly recommend to everyone to come and see the shows.

Program below.  See you in July in Sadlers Wells!

2-7 July     Ballet Flamenco do Sara Baras: Sombras

8 July        Miguel Poveda: Recital de cante

9 July        Rocio Molina: Fallen from heaven

10 July      Dorantes, Tim Ries, Adam Ben Ezra, Javi Ruibal with guest artist Jesús Carmona: Flamenco meets jazz 

Note: our friend, Javi Ruibal  has just released his first album “Solo un mundo” and it’s available on www.losuyo.es

11 July      Olga Pericet

12-13 July Gala Flamenca: Mercedes Ruíz, Eduardo Guerrero, María Moreno

14 July       Patricia Guerrero: Catedral

Lilian Baylis studio: 6 July  Shubbak festival – Amir ELSaffar Ensemble: Luminiscencia