The best word to describe the 2019 Gala Flamenca of the London Flamenco Festival.
Funny I’ve never liked Galas, yet, I always go see them. Why? I’ll explain.
I have never liked the Gala, because it felt it was aimed at a public less familiar with flamenco, so it had to be rather entertaining flamenco, easy to enjoy, with the focus on dance, to introduce flamenco, not to immerse in it, more like a show than a concert. Accordingly, the public tends to be different: phones ring, messages beep, people come and go during the performance, the level of respect is different. Not to mention, the challenge of having so many artists together in one concert. Never easy, ending with all sorts of results… At the same time, being able to see various artists at once, is very attractive. So I have always gone and hoped for a song, a dance, an individual performance to make it worthwhile, because the acts of all participants together, have never really convinced me. Maybe because I have never seen a good Gala. Until now!
The Gala Flamenca with Mercedes Ruiz, Edu Guerrero, María Moreno and María Terremoto, with the artistic direction of Manuel Liñán was a blast!
My connection to Andalusia is through El Puerto de Santa María, which means that the flamenco close to my heart is from this area: Cádiz, Jerez, El Puerto… and this year, most artists were from these places!
Mercedes Ruiz has been around for a while, and has always been among the dancers I liked. Representing Jerez, dancing a seguriya with impressive skills on the castanets. Great choice of the flamenco palo, and nice dancing.
I was happy to see Eduardo Guerrero live for the first time. Edu is from Cádiz and has danced a caña with unbelievable footwork, which is still not my favourite part of flamenco dance, but it was a joy to watch his long arms, long legs, long hair.
My surprise was María Moreno (also from Cádiz) who I have not seen before either. She won the Revelation Artist Giraldillo Award on the Sevilla Bienal last year, so I already knew about her, but didn’t expect this at all. Epic alegrías! My conclusion: sometimes less movement is so much more. There is no need to overcomplicate the steps or footwork, silence and small movements can transmit so much emotion! I loved seeing her dance so beautifully with bata de cola (the long tail of the flamenco skirt) and the mantón (the big flamenco shawl). I don’t remember when was the last time I saw anyone dance with either bata de cola or mantón. It was refreshing and beautiful!
The dance of Edu and María, both dressed in red was one of the prettiest parts of the show!
I have already written a post about her, so I was thrilled to listen to the live singing of María Terremoto from Jerez. So young, and still, such power in her voice, such mature singing and so much emotion. I have listened so much flamenco singing, but she seems so different, truly exceptional I personally think. I am a big fan!
The singing of Ismael El Bola was also a great surprise, really enjoyed his voice and participation. Just like the guitar of Santiago Lara, always a pleasure to have his guitar!
I have only realised after this show that I didn’t really know what artistic direction was. Having seen this Gala with the artistic direction of Manuel Liñán, I can say that artistic direction is so powerful! Also happy to confirm that I am still and even more of a devoted fan of Manuel. He is not only an excellent dancer (and his “Irreversible” may be the greatest flamenco shows I have ever seen), but his contribution to this show has created a fascinating visual experience of these marvellous artists.
Congratulations all. I think I have just had the luck to see the best Flamenco Gala ever!