If you like flamenco, you’ll like Miguel Poveda, simply because of his love and affection for flamenco.
He started his concert in Sadler’s Wells on the 8th of July with a little teaser of his album “Enlorquecido” where he paid tribute to the poet Federico García Lorca with songs composed to his poems and letters. It was only 2-3 songs but it showed the passion of one man towards the art and life of another man, which is emotional and moving to see.
Then the real flamenco started! Alegrías, bulerías, tangos, a guajira, a petenera and a few other simple, but true, authentic flamenco songs. In a world where everyone searches for themselves and tries to express themselves via but not always strictly with flamenco only, it is appreciated to listen to the original stuff sometimes. Especially from someone who was born into a world that had nothing to do with flamenco, and still his love and passion for this art form, together with his talent in singing have made him one of the top flamenco singers of our time.
What makes Miguel Poveda even greater as an artist, are the musicians surrounding him, and the way he treats them on stage.
I was thrilled to see that I knew every one of the artists accompanying Miguel, but even if I didn’t, Miguel introduced everyone one by one. El Londro from Jerez singing and clapping; Carlos Grilo, master clapper from Jerez (oh lord that contra-beat he claps so perfectly on time and with so much passion in the bulería!); Jesús Guerrero a new talent in the guitar, not only accompanying but composing; Paquito Gonzalez on percussion and drums, who accompanied Paco de Lucía on his last album; and last but not least, El Choro dancing. I like the dancers who don’t only focus on footwork, but they dance. The dance with their arms, with their bodies, with their souls. Antonio Molina, El Choro is one of them.
One of the highlights of the concert was actually a bulería performed by the musicians without Miguel. So much emotion and energy. I could hear the people around me in the audience clapping the rhythm with the feet, moving their hands and heads, as we all enjoyed the song.
Miguel’s English has still room for improvement, but English and non-English speakers both enjoyed listening to him trying and entertaining us (including himself!) with his improvised words and phrases.
The tango to finish the concert was just brilliant. Miguel and co. made a great show, and it was the cherry on top when Miguel invited up to the stage Jesús Carmona, who was sitting in the audience, and he danced a bit at the end. The process of Choro taking off his shoes ON STAGE, Jesús taking off his white trainers ON STAGE, exchanging shoes ON STAGE, while Miguel sang and the musicians played, has just shown that improvisation is possible, it does happen, and it gives us a unique experience of a concert. Thank you all!
All in all, it was an excellent concert. There is only one thing I would mention to Miguel for next time. In today’s day and age where diversity and inclusion are such hot topics across areas of age, ethnicity, gender, disability, LGBT+ etc. Where were the women in the show? To be fair to Miguel, he has had La Lupi as dancer on his concerts for years, so this may be a one-off, still my eyes missed the ladies on stage. Hopefully next time.
Until then all the best Miguel, you are still a phenomenon!