The other day I have realised – almost by accident – that the flamenco I have lately listened to, is fully dominated by guitar albums. This is probably an after effect of having just read a book about Paco de Lucía…
Throughout the years, as I have been discovering flamenco and it’s artists, I first found interest in getting to know the dancers (‘bailaores y bailaoras’). Without doubt the visual experience of the dance is the most catchy, especially for new audiences. Then my attention turned to the singers (‘cantaores y cantaoras’), trying to understand the words, recognising the different ‘palos’. Flamenco is the collective name of the art but there are many different forms within. It was an adventurous journey getting to know these forms: starting from the more joyful alegrías, bulerías, tangos, cantiñete, to the more sorrow soleá, malagueña, seguiriya, martinete, toná and so on. There are lots of different categorisations and names of the ‘palos’ (‘cante grande’, ‘cante chico’, ‘canciónes de ida y vuelta’, ‘quejío’ etc.) but I don’t think it is necessary to know these to be able to enjoy the music.
Only after the dancers and singers, I am now exploring the guitar players (‘guitarristas’) and I am discovering excellent artists and albums.
Just to mention a few:
- The last album of Rafael Riqueni: ‘Parque de María Luisa‘, María Luisa Park ‘es una delicia’ as the Spanish would say. Delightful. The guitar imitating the sound of the birds is astounding.
- The last album of Vicente Amigo ‘Memoria de los sentidos’ is amazing but the song ‘Requiem‘ dedicated to Paco de Lucía is just breathtaking.
- ‘Palo Santo’ is the latest album of Dani Casares and the atmosphere of Easter (‘Semana Santa’) is wonderfully transmitted.
- I really like Manuel Molina , although I wouldn’t categorise him as a guitar player only, he sings and he writes his lyrics, as well. If you listen to his songs, he is a true poet!
I haven’t listened so much to the old maestros Ramón Montoya or Niño Ricardo but more to Diego del Gastor and Sabicas accompanying singers of their time. I recently bought an album of Enrique Morente and Sabicas and it’s also wonderful. And without trying to list all of the guitarists, just a few I like: Pedro Bacán, Moraíto, Diego del Morao, Antonio Rey, Manolo Sanlúcar and Santiago Lara.
The first guitar album I was ever able to appreciate on its own was ‘Sentimientos’, Emotions from Santiago Lara. Santi is married to the dancer Mercedes Ruiz and they create and perform together. I have always been a big fan of Mercedes and her traditional dance from Jerez and through her, I got to know Santi and his music. Very pleasant on a Saturday afternoon while reading on the couch and listening to the raindrops on the window (yes, I live in London).
And even though I haven’t mentioned the other instrument players present in today’s flamenco, I haven’t forgotten about them! Artists like the pianist, Dorantes, drummers like Piraña and Javi Ruibal and the saxophonist Jorge Pardo are also important. Since the revolution initiated by Camarón and Paco de Lucía, flamenco is not restricted to the trio of singer-dancer-guitarist and other, new instruments have greatly added to the beauty of this music.